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Goodlookingstrippedsingers anachronism.
Spenser uses many Chaucerisms in The Fairie Queene.
CHEKE SYSTEM: As summarized by Baugh, a proposed method for indicating long vowels and standardizing spelling first suggested by Sir John Cheke in Renaissance orthography. Cheke would double vowels to indicate a long sound. For instance, mate would be spelled maat, lake would be spelled laak, and so on. Silent e's would be removed, and the letter y would be abolished and an i used in its place (Baugh 209). It did not catch on.
CHIASM: A specific example of chiasmus, see below.
CHIASMUS (from Greek, "cross" or "x"): A literary scheme in which the author introduces words or concepts in a particular order, then later repeats those terms or similar ones in reversed or backwards order. It involves taking parallelism and deliberately turning it inside out, creating a "crisscross" pattern. For example, consider the chiasmus that follows: "By day the frolic, and the dance by night." If we draw the words as a chart, the words form an "x" (hence the word's Greek etymology, from chi meaning "x"):
The sequence is typically a b b a or a b c c b a. "I lead the life I love; I love the life I lead." "Naked I rose from the earth; to the grave I fall clothed." Biblical examples in the Greek can be found in Philippians 1:15-17 and Colossians 3:11, though the artistry is often lost in English translation. Chiasmus often overlaps with antimetabole.
CHICANO / CHICANA LITERATURE: Twentieth- and twenty-first-century writings and poetry by Mexican-American immigrants or their children--usually in English with short sections or phrases in Spanish. An example would be Sandra Cisneros' writings, such as The House on Mango Street or My Wicked Wicked Ways. Following the grammatical conventions for gender in Spanish, the adjective Chicano takes an -o suffix in reference to male authors and an -a suffix in reference to female authors. Cf. Latino Writing.
CHILDREN'S LITERATURE: See juvenile literature.
CHIMES: See discussion under cynghanedd.
CHIVALRIC ROMANCE: Another term for medieval romance. See also chivalry, below.
CHIVALRY: An idealized code of military and social behavior for the aristocracy in the late medieval period. The word "chivalry" comes from Old French cheval (horse), and chivalry literally means "horsemanship." Normally, only rich nobility could afford the expensive armor, weaponry, and warhorses necessary for mounted combat, so the act of becoming a knight was symbolically indicated by giving the knight silver spurs. The right to knighthood in the late medieval period was inherited through the father, but it could also be granted by the king or a lord as a reward for services.
The tenets of chivalry attempted to civilize the brutal activity of warfare. The chivalric ideals involve sparing non-combatants such as women, children, and helpless prisoners; the protection of the church; honesty in word and bravery in deeds; loyalty to one's liege; dignified behavior; and single-combat between noble opponents who had a quarrel. Other matters associated with chivalry include gentlemanly contests in arms supervised by witnesses and heralds, behaving according to the manners of polite society, courtly love, brotherhood in arms, and feudalism. See knight for additional information.
This code became of great popular interest to British readers in the 1800s, leading to a surge of historical novels, poems, and paintings dealing with medieval matters. Examples of this nineteenth-century fascination include the Pre-Raphaelite Movement, William Morris's revival of medieval handcrafts, Scott's novels such as Ivanhoe, and the earnestly sympathetic (though unrealistic) depiction of knighthood in Tennyson's Idylls of the King. In Tennyson's poem Guinevere, King Arthur describes the ideals of knighthood thus:
I made them lay their hands in mine and swear
To reverence the King, as if he were
Their conscience, and their conscience as their King
To break the heathen and uphold the Christ,
To ride abroad redressing human wrongs,
To speak no slander, no, nor listen to it,
To honor his own word as if his God's,
To lead sweet lives in purest chastity,
To love one maiden only, cleave to her,
And worship her by years of noble deeds,
Until they won her.
For the best modern scholarly discussion of chivalry as a historic reality in the Middle Ages, read Maurice H. Keen's Chivalry (Yale University Press, 1984).
CHORAGOS (often Latinized as choragus): A sponsor or patron of a play in classical Greece. Often this sponsor was honored by serving as the leader of the chorus (see below).
CHÒREE: Another term for trochee. See trochee.
CHORIC FIGURE: Any character in any type of narrative literature that serves the same purpose as a chorus in drama by remaining detached from the main action and commenting upon or explaining this action to the audience. See chorus, below.
CHORUS:
(1) A group of singers who stand alongside
or off stage from the principal performers in a dramatic or
musical performance. (2)
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