stanza consists two quatrains of four lines with five, five, five, and four syllables respectively. The rhyme Invincible Distribucio a Goodlookingstrippedsingers e Summer k Summer rsearcha Distribucio g Nteru r Goodlookingstrippedsingers ssearch Invincible o Distribucio isearchtsearchc A105304 e Distribucio B Summer isearchd Goodlookingstrippedsingers r nakedkoreangirls%2 Logistica +searchc Lang st Distribucio e Invincible m search Lang n Lang i Goodlookingstrippedsingers c

bsearche Distribucio hsearchIsearchv

nnakedkoreangirlsi Lang l Invincible searchs A105304 a Invincible cmailikcheat%20%D1%81%D0%BA%D0%B0%D1%87%D0%B0%D1%82%D1%8C%20%D0%B1%D0%B5%D1%81%D0%BF%D0%BB%D0%B0%D1%82%D0%BD%D0%BE searchNnakedkoreangirlse Goodlookingstrippedsingers u Summer s Invincible nsearchincimailikcheat%20%D1%81%D0%BA%D0%B0%D1%87%D0%B0%D1%82%D1%8C%20%D0%B1%D0%B5%D1%81%D0%BF%D0%BB%D0%B0%D1%82%D0%BD%D0%BEle Nteru AAAx AAAx, with X's indicating unrhymed lines. See octave and rhyme.

CYHYDEDD NAW BAN: A syllabic verse form in ancient Welsh poetry in which some lines are composed of nine syllables. The rhyming couplets, when they appear, must rhyme with another line of identical length.

CYNGHANEDD (pronounced kun HAN neth, lit. Welsh for "symphony" or "harmony"): A Welsh term that loosely denotes sound similarities peculiar to Welsh poetry, especially alliteration and internal rhyme. Typically, the consonants in one word or line repeat in the same pattern at the beginning and end of the next word or line--but the vowel sounds between the consonants change slightly. In the English tradition of poetry, Gerard Manley Hopkins charmingly refers to such devices as chimes, and he makes much use of them in his works such as "Spring and Fall." See also awdl and englyn. For an example of cynghanedd in English, click here.

CYNING: A king, another term for an Anglo-Saxon hlaford. Not to be confused with kenning, an Anglo-Saxon poetic device.

CYRCH A CHWTA: A Welsh verse form consisting of an octave stanza of six rhyming or alliterating seven-syllable lines plus a couplet. The second line of the couplet rhymes with the first six lines. The first line of the couplet cross-rhymes in the third, fourth, or fifth syllable of the eighth line.

CYRILLIC: The alphabet used to write Russian, Serbian, and Bulgarian. The name comes from the Greek missionary Saint Cyril, who traveled from Byzantium to convert Slavic races to Christianity.

CYWYDD (plural, cywyddau): A fourteenth-century metrical form of Welsh lyric poetry consisting of rhyming couplets with each line having seven syllables. Traditionally, in each couplet, the lines end with alternately stressed and unstressed meter. In terms of content, cywyddau traditionally include examples of dyfalu--strings of unusual comparisons similar to metaphysical conceits. The genre is associated with the poet Dafydd ap Gwilym.

CYWDD DEUAIR HIRION: In Welsh prosody, the term refers to a form of light verse consisting of a single couplet with seventeen syllables. The first line has a masculine ending and the last line a feminine ending.

CYWYDD LLOSGYRNOG: A type of Welsh verse consisting of a sestet stanza in which the syllable count is eight, eight, seven, eight, eight, and seven respectively. The first two lines rhyme and cross-rhyme with the middle syllable of the sixth line and the third and sixth lines rhyme with each other. Rime coueé or tail-rhyme has a similar scheme.

[A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M]

[N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z]

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I consulted the following works while preparing this list. I have tried to give credit to specific sources when feasible, but in many cases multiple reference works use the same examples or provide the same dates for common information. Students should examine these resources for more information than these humble webpages provide:

Works Cited:

Abrams, M. H. A Glossary of Literary Terms. 6th edition. Fort Worth: Harcourt Brace College Pub., 1993. [Now superseded by later editions.]
---. "Poetic Forms and Literary Terminology." The Norton Anthology of English Literature. 7th edition. Volume 1. New York: Norton, 2000. 2944-61. 2 Vols.
Algeo, John and Thomas Pyles. The Origin and Development of the English Language. 5th edition. U.S.A., 2004.
Baugh, A. C. and Thomas Cable. A History of the English Language. 5th edition. Englewood Cliffs, New Jersey: Prentice-Hall, 2002.
Brown, Michelle P. Understanding Illuminated Manuscripts: A Guide to Technical Terms. London: The British Library and the J. Paul Getty Museum, 1994.
Burkert, Walter. Greek Religion. [Originally published 1977 as Griechische Religion der archaischen und klassischen Epoche.] Trans. John Raffan. Cambridge: Harvard UP, 1985.
Catholic University of America Editorial Staff. The New Catholic Encyclopedia. New York: McGraw-Hill. 1967-79.
Corbett, Edward P. J. Classical Rhetoric for the Modern Student. 3rd edition. Oxford: Oxford UP, 1990.
Cuddon, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. London: Penguin Books, 1991.
Damrosch, David, gen. ed. The Longman Anthology of British Literature. 2nd Compact Edition. Volume A. New York: Pearson, 2004. 3 Vols.
Deutsch, Babette. Poetry Handbook: A Dictionary of Terms. Fourth Edition. New York: Harper and Row, 1974. Reprint as Barnes and Noble Edition, 1981.
Drout, Michael D. C. J.R.R. Tolkien Encyclopedia: Scholarship and Critical Assessment. New York: Routledge, 2007.
Duffy, Seán. Medieval Ireland: An Encyclopedia. New York: Routledge, 2005.
Eagleton, Terry. Literary Theory: An Introduction. Minneapolis: U of Minnesota P, 1983.
Gabel, John B. and Charles B. Wheeler. The Bible as Literature: An Introduction. New York: Oxford U P, 1986.
Giroux, Joan. The Haiku Form. New York: Charles E. Tuttle Company, 1974. Reprinted New York: Barnes and Noble, 1999.
Greenblatt, Stephen. "Glossary." The Norton Shakespeare: Tragedies. New York: Norton, 1997. 1139-43.
Guerin, Wilfred L., et al. "Glossary."

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